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A 5,200-square-foot pre-war on Central Park West required a full AV and automation integration, including a reference-grade screening room, under a co-op alteration agreement that prohibited any weekday work between 8am and 6pm.

The clients — a film-industry couple — wanted a reference-grade screening room inside a 1929 pre-war apartment. The building's alteration agreement prohibited weekday work in the 8am – 6pm window, required COI packets on every contractor, and banned pneumatic tools above the third floor. Most integrators the architect had interviewed refused to bid.
Beyond the theater, the program included whole-apartment automation, enterprise networking across 28 devices, discreet audio in every room, and circadian lighting in the primary suite. The family's two children also expected the home to stay simple enough for their nannies to operate — a constraint the clients raised on day one.
The screening room was the hardest problem. Structural isolation from the neighboring units had to be engineered before a single acoustic treatment was installed, and the processor rack had to live in a remote closet because the room's acoustic envelope could not accept fan noise. We brought in an independent acoustic engineer during the architect's design development phase, and the room was detailed as a building-within-a-building: floating floor, decoupled ceiling, double-wall construction, sealed penetrations.
All trade work was scheduled in the 6pm – 10pm window and on Sunday afternoons. Our project lead attended the building's alteration walkthroughs, served as the single point of contact for the building engineer, and produced a 180-page compliance package the co-op board's reviewing attorney called 'the most complete documentation we have ever received from an AV contractor'. We did not receive a single violation notice during the eight-month install.
The finished screening room delivers reference-grade performance without compromising the building. Ambient noise in the neighboring units, measured by the acoustic engineer after commissioning, is within one decibel of the pre-construction baseline.
Hover any marker to see the product, the reasoning, and the engineering that placed it there.

The screening room delivers 83 dB reference level at the primary seat with the adjacent unit's noise floor unchanged from pre-construction measurements.
Project: Central Park West Pre-War · Architect: Withheld by request
Alteration-agreement violations during the eight-month install.
Ambient noise in the finished screening room with all electronics running.
Reference-level SPL at the primary seat, calibrated and verified.
Maximum noise increase in the adjacent unit, measured post-commissioning.
Devices federated on a single enterprise-grade network.
Operating training required by the family's nannies.
The co-op board's reviewing attorney has since referred our studio to three other projects in the building. Our alteration-agreement documentation package has become the template we issue on every subsequent Manhattan project.
“They delivered a theater that outperforms the screening rooms we use professionally — and they did it in a 1929 building without upsetting a single neighbor.”
Private cinemas engineered to CEDIA RP22 standards — immersive audio, reference-grade projection, bespoke acoustic design.
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An off-site security operations center watches your network every hour of every day. Anomaly detection, DNS reputation, real-person escalation in under 15 minutes.
Written compliance report — firmware status, traffic anomalies, capacity planning — reviewed with you every ninety days. Nothing drifts, nothing is assumed.
A 12,000-square-foot three-structure compound engineered for the Atlantic — storm-hardened, off-season-monitored, and seasonally commissioned every spring.